Galo, by oyamao

Galo

by oyamao

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Record/Vinyl + Digital Album
Pressed onto black 140g vinyl.

Includes unlimited streaming of Galo via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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£18 GBP or more
Streaming + Download

Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Purchasable with gift card

£7 GBP or more

1.	Kuroneko 黒猫 04:24	buy track
2.	Ton Ton トントン 01:15	buy track
3.	Suna No Shiro 砂の城 04:01	buy track
4.	Hakushon はくしょん 02:46	buy track
5.	Mimi 耳 01:25	buy track
6.	Harvest Dance 収穫祭 04:09	buy track
7.	I See You アイシーユー 04:37	buy track
8.	Jigoku 地獄 05:58	buy track
9.	Ningen Baka 人間ばか 04:37	buy track
10.	Shiranakatta しらなかった 04:40	buy track
11.	Ookami 狼 03:44	buy track
12.	Galo ガロ 03:37	buy track

about

O Yama O return with their first full length LP since 2018’s self titled debut. Galo finds the duo of sculptor Rie Nakajima and vocalist Keiko Yamamoto firmly enmeshed alongside percussionist Marie Roux and violin player and visual artist Billy Steiger as a band, their project this time a proper four way entanglement - or five when you include the record’s powerhouse producer David Cunningham.

Known perhaps already for their exploration of folkloric Japan and the ‘domestic and democratic quality of everyday life’, part of the magic of O Yama O comes from the conjuring of atmospheres from the smallest of elements. On Galo, Nakajima’s object orchestra is accompanied by bird callers, kalimbas, the koto, a Pierre Berthet ‘sounding hat’, and one of those plastic whirly tubes which produce a surprisingly agreeable warbling, especially in the hands of Roux. Together their sound recalls the far out sonorities of Anton Bruhin’s Vom Goldabfischer, (also a fan of a PVC tube, which he fixed with a reed and called a ch-pon), and maps out a hopeful landscape for genuinely experimental folk music; a slippery exploration of customs, routines, storytelling and disparate influences.

The sketches of O Yama O’s earlier work arrive on Galo as tunes rich with melody, alongside the occasional song - fleshed out, but totally surreal - forming as naturally as a cloud and dispersing fresh clarity next morning. Though miraculously recorded in multiple parts and online between London, Devon, Luzern and Fukouka, Galo has a fair view of Albion at its window. The recorder and violin led ‘Harvest Dance’ draws from Weird Walk material, though Steiger’s folk melody and Cunningham’s production are anything but purely bucolic. Perhaps it’s this that makes us think of folk music. Or maybe it’s the group's particular language, which seems at once familiar and yet also totally alien. Yamamoto says of the group’s practice that “listening becomes talking, talking becomes hearing, hearing becomes singing, singing becomes silence and silence becomes sculpture." It’s a simple process, yet rich with reward - a searching kind of structure which finds room for each listener.

credits

released May 12, 2023

KEIKO YAMAMOTO - voice, percussion, recorder, bird callers, clay bird whistle, kalimba, lyre
RIE NAKAJIMA - objects, sculpture, piano, harmonica, koto, whistle, percussion, water
MARIE ROUX - drums, percussion, guitar, wind tube, whistle, Berthet sounding hat, thumb piano
BILLY STEIGER - violin, piano

Produced by DAVID CUNNINGHAM. Recorded in London, Devon, Luzern and Fukuoka. Additional recording by SHAUN CROOK. Photography by MARIE ROUX

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about

oyamao London, UK

Formed of musician and artist Rie Nakajima, Cafe OTO co-founder Keiko Yamamoto, percussionist and photographer Marie Roux and violin player Billy Steiger, O Yama O explores a certain domestic and democratic quality of everyday life, born through associations to folk music of Japan and a folding of myth, tradition, and routine; the non-spectacular and the sublime. ... more

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discography

Galo

May 2023
Bruxelles

Sep 2021
O YAMA O

Oct 2018

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